Rewrite to Reimagine: A Writer's Secret Weapon for Manuscript Revision
From book idea to publication and beyond.
Happy Saturday! In today’s newsletter you’ll learn:
📚 The unconventional strategy I use to revise a draft
📝 Why you might try it
👉 How to incorporate this strategy into your revisions
I powered through my second draft of my WIP using the methods I described in a previous newsletter. You can read about them here. Now that I’ve made notes on my pages (alongside my book coaches’ intext comments), I’ve returned to my screen and started making changes, considering what my book coach wrote and my own thoughts in my handwritten notes. For me, this is a fairly laborious process, mostly because my handwriting is nearly illegible, but also because I don’t want to miss any of the bigger issue items as I make changes.
Once I’ve completed all of the changes, I’ll let it sit for a bit, but then I’ll do something that is not for the faint of heart. It’s a strategy that you might outright reject, and I wouldn’t blame you for it one bit.
Let me give you some backstory. A few years ago, I was working with my editor to prepare my debut novel, Sisu’s Winter War, for publication. My manuscript was in Word. He was using another program to make intext comments. For awhile, our programs played nicely together. Until they didn’t. I had a little panic attack when I realized the comments weren’t aligning with the text and there was no way to correct it. Meanwhile, my lovely editor had taken a well-deserved holiday at his Northern Ontario camp, out of reach of cell phone towers. I was on my own to figure it out. And, like the trooper I am (or try to be), I worked on the puzzle, determining which comment referred to which section, leaving any mysteries behind for a later conversation.
I knew I couldn’t send my completed manuscript to the publisher in this state. It had been such a messy document, and I worried that I hadn’t caught everything. So, I took three days to retype my entire 100 000 word manuscript from scratch. No cutting and pasting. Just typing and thinking and revising.
Do I recommend retyping your work? Yes, in fact, I do. I do not, however, suggest you do it in three days. My aching shoulders did not appreciate this method in a short time frame.
So why do I recommend this strategy? And why will I do it again with this manuscript?
There’s something about the blank page that can be very intimidating to authors when we’re just working out our stories. It can go in any direction. We have SO many choices. But, once the story is written, and rewritten, and revised again, a blank page can be a bit of freedom we need to push our stories just that much further.
When I’m revising a document on the screen, yes, I will add things, change things, delete whole paragraphs, even, but having the text in front of me makes me feel a little more constrained. I tend to potter about, rearranging things, but not taking any real risks.
Typing a fresh document with my manuscript printed beside me reminds me that I can change ANYTHING in this moment. I’m not constrained to the version I’ve printed or my handwritten notes. I’m more likely to change whole sections, revise the order, or rework sentences because I have to type them out anyway, so why not make them even better?
If you attempt this method, take it from me, you’ll want to give yourself plenty of time. Don’t rush this process. Give it a try with even just one chapter, and see if it opens something unexpected for you. It certainly did for me.
Here are a few suggestions for your type and revise:
Let your draft sit for awhile
Print out your work-in-progress
Decide how many pages you’ll retype in a sitting
Take your time considering what changes you want to make
Allow yourself to make big, bold changes
Use the read aloud feature to hear what your revisions sound like
Caveat: Make sure you kept your original draft in case you change your mind!
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Happy writing!
I love to hear new strategies for revising a manuscript. Thanks for sharing yours! Like you, I've developed a few tricks that force me to see my words through new eyes -- or ears.
One of the best ways I've found to trick myself into finding errors or disconnects that I might otherwise miss is to record the entire manuscript, chapter by chapter, on my voice memo, and then listen to it back like an audio book. Invariably I discover phrases or punctuation that need fixing when I'm reading it aloud, as well as when I'm listening back. It forces me to use a different part of my brain. I've also used the podcast studio at our local library to record the entire book.
Great advice! I'm going to try it out on my (freshly-completed first draft) manuscript and see how it goes.